“Machines of Desire”, by Peter Baumann. Thirty-three years of almost absolute recording silence mean that Machines of Desire, the return of Peter Baumann, must be…
“Heart of a Dog”, by Laurie Anderson. A multidisciplinary artist, Laurie Anderson now shows (once again, in fact) her dimension as a philosopher. Heart of…
Deutsche Grammophon releases Max Richter’s eight-hour-long “Sleep” in its entirety. Max Richter is, along with Thomas Adès, the most important composer in the United Kingdom…
“Dark Sky Island”, by Enya. Enya is one of the artists who has shown the fewest changes of style in a solo career that has…
“Blue Velvet Revisited”, by Tuxedomoon and Cult With No Name. The legendary soundtrack of Blue Velvet, the David Lynch film that turns thirty next year,…
«Flying Basket», by Akira Sakata, Merzbow, Jim O’Rourke and Chikamorachi. For the militant follower of alternative rock, the most “well-known” of the creators of this…
«Loin des hommes. OST», by N. Cave & W. Ellis. Since Ghosts of the Civil Dead, Nick Cave has composed numerous soundtracks, the latest of…
“El Steinway a la guillotina”, by P. Comelade. To the crisis, imagination. If they don’t sell CDs, they “give them away” with a comic… El…
“Ceremony”, by Anna von Hausswolff. It is challenging to start with a church organ as the main instrument on a record: its sound is resounding…
“Desertshore/The Final Report”, by X-TG. X-TG? In 2007 the four founding members of Throbbing Gristle (Genesis P. Orridge, Peter “Sleazy” Christopherson, Chris Carter and Cosey…